„õhuLoss“ on ETDMi korruseid läbiv väljapanek, mis koondab endas ülevaadet Eesti ehtekunstnike rühmituse õhuLoss enam kui kahekümne aastasest ehteloomingust. Rühmituses tegutsevad Piret Hirv, Kristiina Laurits, Eve Margus, Villu Plink ja Tanel Veenre, kes olid rühmituse algataja, ehtekunstniku, EKA ehte ja sepise eriala juhi, professor Kadri Mälgu (1958–2023) õpilased.

Castle in the Air - Eesti Tarbekunsti- ja Disainimuuseum

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Castle in the Air

Eesti Tarbekunsti- ja Disainimuuseum

&bdquo;&otilde;huLoss&ldquo; on ETDMi korruseid l&auml;biv v&auml;ljapanek, mis koondab endas &uuml;levaadet Eesti ehtekunstnike r&uuml;hmituse &otilde;huLoss enam kui kahek&uuml;mne aastasest ehteloomingust. R&uuml;hmituses tegutsevad Piret Hirv, Kristiina Laurits, Eve Margus, Villu Plink ja Tanel Veenre, kes olid r&uuml;hmituse algataja, ehtekunstniku, EKA ehte ja sepise eriala juhi, professor Kadri M&auml;lgu (1958&ndash;2023) &otilde;pilased.

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On November 7, the Estonian Museum of Applied Art and Design will open the exhibition “The Dark Sky of Imagination. Jewellery by Kadri Mälk”, which introduces one of the most influential figures and unique authors in Estonian contemporary jewellery art.

Dark Sky of Imagination. Jewellery by Kadri Mälk - Eesti Tarbekunsti- ja Disainimuuseum

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Dark Sky of Imagination. Jewellery by Kadri Mälk

On November 7, the Estonian Museum of Applied Art and Design will open the exhibition &ldquo;The Dark Sky of Imagination. Jewellery by Kadri M&auml;lk&rdquo;, which introduces one of the most influential figures and unique authors in Estonian contemporary jewellery art.

Dark Sky of Imagination. Jewellery by Kadri M&auml;lk - Eesti Tarbekunsti- ja Disainimuuseum

Dark Sky of Imagination. Jewellery by Kadri M&auml;lk

https://admin.etdm.ee/en/naitus/dark-sky-of-imagination-jewellery-by-kadri-malk/

„Neandertallase ilukabinet“ on Madlen Hirtentreu ja Darja Popolitova loodud installatsioon, mis käsitleb iluprotseduuride muutumist tarbitavaks kiirkaubaks ning paljastab, kuidas enesehoolena reklaamitud tegevused võivad varjata kehalise kontrolli ja allutamise mehhanisme.

Neanderthal Beauty Clinic - Eesti Tarbekunsti- ja Disainimuuseum

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Neanderthal Beauty Clinic

&bdquo;Neandertallase ilukabinet&ldquo; on Madlen Hirtentreu ja Darja Popolitova loodud installatsioon, mis k&auml;sitleb iluprotseduuride muutumist tarbitavaks kiirkaubaks ning paljastab, kuidas enesehoolena reklaamitud tegevused v&otilde;ivad varjata kehalise kontrolli ja allutamise mehhanisme.

https://admin.etdm.ee/en/naitus/neanderthal-beauty-clinic/

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At the Solaris Center, the exhibition “Estonian Song Celebrations 1869–2019. Commented emblem designs“ is open during the Song Festival.

Estonian Song Celebrations 1869–2019. Commented emblem designs - Eesti Tarbekunsti- ja Disainimuuseum

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Estonian Song Celebrations 1869–2019. Commented emblem designs

At the Solaris Center, the exhibition &ldquo;Estonian Song Celebrations 1869&ndash;2019. Commented emblem designs&ldquo; is open during the Song Festival.

Estonian Song Celebrations 1869&ndash;2019. Commented emblem designs - Eesti Tarbekunsti- ja Disainimuuseum

Estonian Song Celebrations 1869&ndash;2019. Commented emblem designs

https://admin.etdm.ee/en/naitus/estonian-song-celebrations-1869-2019-commented-emblem-designs-2/

Elgi Reemets's monumental 5 metre wide woven tapestry ‘Väägvere choir’ occupies a unique place in Estonian cultural history. It is one of the best-known works of textile art in the collective memory of Estonians.

Elgi Reemets ‘Väägvere choir, 1839’ - Eesti Tarbekunsti- ja Disainimuuseum

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Elgi Reemets ‘Väägvere choir, 1839’

Elgi Reemets's monumental 5 metre wide woven tapestry &lsquo;V&auml;&auml;gvere choir&rsquo; occupies a unique place in Estonian cultural history. It is one of the best-known works of textile art in the collective memory of Estonians.

Elgi Reemets &lsquo;V&auml;&auml;gvere choir, 1839&rsquo; - Eesti Tarbekunsti- ja Disainimuuseum

Elgi Reemets &lsquo;V&auml;&auml;gvere choir, 1839&rsquo;

Elgi Reemets&#039;s monumental 5 metre wide woven tapestry ‘Väägvere choir’ occupies a unique place in Estonian cultural history. It is one of the best-known works of textile art in the collective memory of Estonians.

https://admin.etdm.ee/en/naitus/elgi-reemets-vaagvere-choir-1839/

The exhibition “Balance. Helge Pihelga’s wall panels and metal forms from the 1960s–1970s” features mostly copper wall panels from the 1960s, made using repoussé techniques, as well as decorative copper and brass vessels with simple forms.

Balance. Helge Pihelga’s wall panels and metal forms from the 1960s–1970s - Eesti Tarbekunsti- ja Disainimuuseum

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Balance. Helge Pihelga’s wall panels and metal forms from the 1960s–1970s

The exhibition &ldquo;Balance. Helge Pihelga&rsquo;s wall panels and metal forms from the 1960s&ndash;1970s&rdquo; features mostly copper wall panels from the 1960s, made using repouss&eacute; techniques, as well as decorative copper and brass vessels with simple forms.

Balance. Helge Pihelga&rsquo;s wall panels and metal forms from the 1960s&ndash;1970s - Eesti Tarbekunsti- ja Disainimuuseum

Balance. Helge Pihelga&rsquo;s wall panels and metal forms from the 1960s&ndash;1970s

https://admin.etdm.ee/en/naitus/balance-helge-pihelgas-wall-panels-and-metal-forms-from-the-1960s-1970s/

Art spheres have lost their clearly defined material boundaries. Instead of artists who see only one or another material as their domain, we are increasingly seeing artists who move freely between disciplines and materials. They naturally use various approaches, living amidst a hybrid diversity that they experience as a whole. Sometimes their method resembles a micro-language, spoken by only a few. The exhibition reveals a richness that transcends materials. It brings together 44 artists whose relationship with material is surprising—at times even extreme.

Between Borders, Between Materials - Eesti Tarbekunsti- ja Disainimuuseum

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Between Borders, Between Materials

Art spheres have lost their clearly defined material boundaries. Instead of artists who see only one or another material as their domain, we are increasingly seeing artists who move freely between disciplines and materials. They naturally use various approaches, living amidst a hybrid diversity that they experience as a whole. Sometimes their method resembles a micro-language, spoken by only a few. The exhibition reveals a richness that transcends materials. It brings together 44 artists whose relationship with material is surprising&mdash;at times even extreme.

https://admin.etdm.ee/en/naitus/between-borders-between-materials/

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“Martin Pedanik: Man Behind the Scenes” is a solo exhibition exploring Pedanik’s design work and practice. Offering an insight into his three-decade career, the exhibition looks at Pedanik’s work as a graphic designer across various creative fields. The exhibition brings together a selection of printed materials, including posters, publications, books, brochures, flyers, vinyl sleeves and [&hellip;]

Martin Pedanik. Man Behind the Scenes - Eesti Tarbekunsti- ja Disainimuuseum

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Martin Pedanik. Man Behind the Scenes

“Martin Pedanik: Man Behind the Scenes” is a solo exhibition exploring Pedanik’s design work and practice. Offering an insight into his three-decade career, the exhibition looks at Pedanik’s work as a graphic designer across various creative fields. The exhibition brings together a selection of printed materials, including posters, publications, books, brochures, flyers, vinyl sleeves and […]

https://admin.etdm.ee/en/naitus/martin-pedanik-man-behind-the-scenes/

Juunis avaneb Eesti-Gruusia loomingulise kollektiivi Garbage Kids ehk Luka Abashidze, Ulla Alla ja Nika Gabiskiria näituseprojekt käsitsi loodud mööblist ja esemetest.

Garbage Kids. Shadow Objects - Eesti Tarbekunsti- ja Disainimuuseum

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Garbage Kids. Shadow Objects

Juunis avaneb Eesti-Gruusia loomingulise kollektiivi Garbage Kids ehk Luka Abashidze, Ulla Alla ja Nika Gabiskiria n&auml;ituseprojekt k&auml;sitsi loodud m&ouml;&ouml;blist ja esemetest.

https://admin.etdm.ee/en/naitus/garbage-kids/

"Signatuur" on Signe Kivi isikunäitus, mis koondab valiku tekstiilikunstniku käsitrükitehnikas valminud ekspressiivsetest autorikangastest.

Signe Kivi. Signature - Eesti Tarbekunsti- ja Disainimuuseum

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Signe Kivi. Signature

"Signatuur" on Signe Kivi isikun&auml;itus, mis koondab valiku tekstiilikunstniku k&auml;sitr&uuml;kitehnikas valminud ekspressiivsetest autorikangastest.

&quot;Signatuur&quot; on Signe Kivi isikunäitus, mis koondab valiku tekstiilikunstniku käsitrükitehnikas valminud ekspressiivsetest autorikangastest.

https://admin.etdm.ee/en/naitus/signe-kivi-signature/

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“Selected Interventions” is a collection of new works and dialogues within the museum’s permanent exhibitions by the students of Craft Studies of the Estonian Academy of Arts. The Craft Studies curriculum expands on understanding contemporary crafts and advances professional development, critical expression, and artistic research into materials, processes, concepts and identities. Therefore, it is a [&hellip;]

Selected Interventions - Eesti Tarbekunsti- ja Disainimuuseum

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Selected Interventions

“Selected Interventions” is a collection of new works and dialogues within the museum’s permanent exhibitions by the students of Craft Studies of the Estonian Academy of Arts. The Craft Studies curriculum expands on understanding contemporary crafts and advances professional development, critical expression, and artistic research into materials, processes, concepts and identities. Therefore, it is a […]

https://admin.etdm.ee/en/naitus/selected-interventions/

Alates 8. novembrist näeb Eesti Tarbekunsti- ja Disainimuuseumis ulatuslikku retrospektiivnäitust “Bruno Tomberg. Disaini leiutamine”.

Bruno Tomberg. Inventing Design - Eesti Tarbekunsti- ja Disainimuuseum

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Bruno Tomberg. Inventing Design

Alates 8. novembrist n&auml;eb Eesti Tarbekunsti- ja Disainimuuseumis ulatuslikku retrospektiivn&auml;itust &ldquo;Bruno Tomberg. Disaini leiutamine&rdquo;.

https://admin.etdm.ee/en/naitus/bruno-tomberg-inventing-design/

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Urmas Orgusaar (1944) has been active in Estonian leather and bookbinding since the late 1960s. In 1969 he graduated from the State Art Institute of ESSR and has been exhibiting since then. Today, the museum&#8217;s collection includes nearly 50 of his works, many of which are also on display in the permanent exhibition of applied [&hellip;]

Urmas Orgusaar. Works from 1970s - Eesti Tarbekunsti- ja Disainimuuseum

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Urmas Orgusaar. Works from 1970s

Urmas Orgusaar (1944) has been active in Estonian leather and bookbinding since the late 1960s. In 1969 he graduated from the State Art Institute of ESSR and has been exhibiting since then. Today, the museum’s collection includes nearly 50 of his works, many of which are also on display in the permanent exhibition of applied […]

https://admin.etdm.ee/en/naitus/urmas-orgusaar-works-from-1970s/

The exhibition “Joint Double” by Jüri Kermik engages with the dynamics of the design process and its involvement in looking forward and looking back.

Jüri Kermik. Joint Double - Eesti Tarbekunsti- ja Disainimuuseum

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Jüri Kermik. Joint Double

The exhibition &ldquo;Joint Double&rdquo; by J&uuml;ri Kermik engages with the dynamics of the design process and its involvement in looking forward and looking back.

J&uuml;ri Kermik. Joint Double - Eesti Tarbekunsti- ja Disainimuuseum

J&uuml;ri Kermik. Joint Double

https://admin.etdm.ee/en/naitus/juri-kermik-double-joint/

From 31 May, ETDM will host metal and jewellery artist Leida Ilo’s solo exhibition “Head in the Clouds, Feet on the Ground”. The exhibition reveals the many facets of Ilo’s unique creations through a selection of her work from over five decades. Over a long and distinguished career, Ilo (b. 1943) has created designs and [&hellip;]

Leida Ilo. Head in the Clouds, Feet on the Ground - Eesti Tarbekunsti- ja Disainimuuseum

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Leida Ilo. Head in the Clouds, Feet on the Ground

From 31 May, ETDM will host metal and jewellery artist Leida Ilo’s solo exhibition “Head in the Clouds, Feet on the Ground”. The exhibition reveals the many facets of Ilo’s unique creations through a selection of her work from over five decades. Over a long and distinguished career, Ilo (b. 1943) has created designs and […]

https://admin.etdm.ee/en/naitus/leida-ilo-head-in-the-clouds-feet-on-the-ground/

Over a century of Estonian song celebrations includes twenty-seven song celebrations. The connection between the song celebrations and design can be portrayed through smaller items, such as costumes, flags, pendants, mascots, etc. However, the wider audience has been most exposed to the emblems whose familiar designs we recognise in printed material as well as in [&hellip;]

https://admin.etdm.ee/wp-content/uploads/2024/06/MG_1477-copy-scaled.jpg

Over a century of Estonian song celebrations includes twenty-seven song celebrations. The connection between the song celebrations and design can be portrayed through smaller items, such as costumes, flags, pendants, mascots, etc. However, the wider audience has been most exposed to the emblems whose familiar designs we recognise in printed material as well as in […]

https://admin.etdm.ee/en/naitus/estonian-song-celebrations-1869-2019-commented-emblem-designs/

The museum opens the 2019 exhibition programme with the exhibition “Objects of Attention”, curated by Estonian based anthropologist Francisco Martínez. In this exhibition, ordinary things are revised into objects of attention. Ten artists have been invited to reflect on the capacity of artefacts to spark political concern and raise awareness of actual social challenges. Through [&hellip;]

Objects of Attention - Eesti Tarbekunsti- ja Disainimuuseum

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Objects of Attention

The museum opens the 2019 exhibition programme with the exhibition “Objects of Attention”, curated by Estonian based anthropologist Francisco Martínez. In this exhibition, ordinary things are revised into objects of attention. Ten artists have been invited to reflect on the capacity of artefacts to spark political concern and raise awareness of actual social challenges. Through […]

https://admin.etdm.ee/en/naitus/objects-of-attention/

The focus of this exhibition is on variations of ornament in Baltic design. Exhibits range from jewellery to ceramics. While at first glance modernism may associate with pure colours and lines, the complete design history is significantly more varied and nuanced. In different regional narratives one may find variations of modernism that may diverge from [&hellip;]

Ornament and Baltic Modern Design 1955-1985 - Eesti Tarbekunsti- ja Disainimuuseum

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Ornament and Baltic Modern Design 1955-1985

The focus of this exhibition is on variations of ornament in Baltic design. Exhibits range from jewellery to ceramics. While at first glance modernism may associate with pure colours and lines, the complete design history is significantly more varied and nuanced. In different regional narratives one may find variations of modernism that may diverge from […]

https://admin.etdm.ee/en/naitus/ornament-and-baltic-modern-design-1955-1985/

The Estonian Museum of Applied Art and Design invited 7th-9th grade students to participate in the design competition ”Mind the Environment – My Ingenious Solution” in an effort to raise local design awareness. The aim was to inspire young people to be more observant of their surroundings, whether at home, at school or nearby, and [&hellip;]

Mind the Environment – My Ingenious Solution - Eesti Tarbekunsti- ja Disainimuuseum

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Mind the Environment – My Ingenious Solution

Mind the Environment &ndash; My Ingenious Solution - Eesti Tarbekunsti- ja Disainimuuseum

Mind the Environment &ndash; My Ingenious Solution

The Estonian Museum of Applied Art and Design invited 7th-9th grade students to participate in the design competition ”Mind the Environment – My Ingenious Solution” in an effort to raise local design awareness. The aim was to inspire young people to be more observant of their surroundings, whether at home, at school or nearby, and […]

https://admin.etdm.ee/en/naitus/mind-the-environment-my-ingenious-solution/

“Estonian Design Awards 2012–2022: A Retrospective” brings together award-winning design projects, designers, professional associations, clients and many others who have been featured and recognised over the history of the Estonian Design Awards. The competition, held every other year for a decade, is constantly changing, reflecting the activities and organisation of associations and parties such as [&hellip;]

Estonian Design Awards 2012—2022: A Retrospective - Eesti Tarbekunsti- ja Disainimuuseum

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Estonian Design Awards 2012—2022: A Retrospective

Estonian Design Awards 2012&mdash;2022: A Retrospective - Eesti Tarbekunsti- ja Disainimuuseum

Estonian Design Awards 2012&mdash;2022: A Retrospective

“Estonian Design Awards 2012–2022: A Retrospective” brings together award-winning design projects, designers, professional associations, clients and many others who have been featured and recognised over the history of the Estonian Design Awards. The competition, held every other year for a decade, is constantly changing, reflecting the activities and organisation of associations and parties such as […]

https://admin.etdm.ee/en/naitus/estonian-design-awards-2012-2022-a-retrospective/

The exhibition “Suuremjault mälëstustes“ (Mostly in Memories) is a solo showcase by Maryliis Teinfeldt-Grins, where the poetic imagery from her debut poetry collection released last summer, “Kivi alla kükakille” (Crouching Under a Stone), meet with stories of longing expressed through embroidery. The exhibition is rooted in the concept of loss. It originates from something that [&hellip;]

Maryliis Teinfeldt-Grins. Mostly in Memories - Eesti Tarbekunsti- ja Disainimuuseum

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Maryliis Teinfeldt-Grins. Mostly in Memories

The exhibition “Suuremjault mälëstustes“ (Mostly in Memories) is a solo showcase by Maryliis Teinfeldt-Grins, where the poetic imagery from her debut poetry collection released last summer, “Kivi alla kükakille” (Crouching Under a Stone), meet with stories of longing expressed through embroidery. The exhibition is rooted in the concept of loss. It originates from something that […]

https://admin.etdm.ee/en/naitus/maryliis-teinfeldt-grins-mostly-in-memories/

Maie-Ann Raun has been involved with glass throughout her life in an exceptionally active way, teaching about the material and the field, keeping alive and reviving the history of the discipline, and cultivating understanding through her work. She is a glass artist, a long-time lecturer, professor emeritus at the Estonian Academy of Arts and an [&hellip;]

In the Light of Glass. Selection of works by Maie-Ann Raun at the permanent display - Eesti Tarbekunsti- ja Disainimuuseum

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In the Light of Glass. Selection of works by Maie-Ann Raun at the permanent display

Maie-Ann Raun has been involved with glass throughout her life in an exceptionally active way, teaching about the material and the field, keeping alive and reviving the history of the discipline, and cultivating understanding through her work. She is a glass artist, a long-time lecturer, professor emeritus at the Estonian Academy of Arts and an […]

https://admin.etdm.ee/en/naitus/in-the-light-of-glass-selection-of-works-by-maie-ann-raun-at-the-permanent-display/

“Rhythms and Spaces” explores the fascinating relationship between radical ideas and the everyday as they interact with sleeping spaces, environments, and time and timekeeping. The exhibition showcases the work of both foreign and Estonian designers who – through visions of the future to approaches dating back over a century – explore the spaces and times that we dedicate to sleep.

Uneversum: Rhythms and Spaces - Eesti Tarbekunsti- ja Disainimuuseum

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Uneversum: Rhythms and Spaces

&ldquo;Rhythms and Spaces&rdquo; explores the fascinating relationship between radical ideas and the everyday as they interact with sleeping spaces, environments, and time and timekeeping. The exhibition showcases the work of both foreign and Estonian designers who &ndash; through visions of the future to approaches dating back over a century &ndash; explore the spaces and times that we dedicate to sleep.

https://admin.etdm.ee/en/naitus/uneversum-rythms-and-spaces/

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The project &#8220;Articulated Models&#8221; directs our attention through constant composing, visualizing and unpacking of new elements towards looking at how standards and design influence our everyday lives.&nbsp;In his work, Ott Metusala studies the living environment by highlighting how political ideas penetrate our private space through design processes.&nbsp; The publication compiled and designed by Ott Metusala [&hellip;]

Ott Metusala. Articulated Models - Eesti Tarbekunsti- ja Disainimuuseum

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Ott Metusala. Articulated Models

The project “Articulated Models” directs our attention through constant composing, visualizing and unpacking of new elements towards looking at how standards and design influence our everyday lives. In his work, Ott Metusala studies the living environment by highlighting how political ideas penetrate our private space through design processes.  The publication compiled and designed by Ott Metusala […]

https://admin.etdm.ee/en/naitus/ott-metusala-articulated-models/

Porcelain production in Riga has a long history. In 1963, two large companies from the 19th century, the nationalized successors of the Kuznetsov Porcelain Factory, founded in 1841, and the Jessen Porcelain Factory, founded in 1886, were first merged to form the Riga Porcelain and Faience Factory, which was later renamed the Riga Porcelain Factory. [&hellip;]

White and Painted. Riga Porcelain from 1950s–1960s - Eesti Tarbekunsti- ja Disainimuuseum

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White and Painted. Riga Porcelain from 1950s–1960s

White and Painted. Riga Porcelain from 1950s&ndash;1960s - Eesti Tarbekunsti- ja Disainimuuseum

White and Painted. Riga Porcelain from 1950s&ndash;1960s

Porcelain production in Riga has a long history. In 1963, two large companies from the 19th century, the nationalized successors of the Kuznetsov Porcelain Factory, founded in 1841, and the Jessen Porcelain Factory, founded in 1886, were first merged to form the Riga Porcelain and Faience Factory, which was later renamed the Riga Porcelain Factory. […]

https://admin.etdm.ee/en/naitus/white-and-painted-riga-porcelain-from-1950s-1960s/

But the temptation was so great that she could not overcome it. Bluebeard by Charles Perrault The exhibition “Bluebeard” presents the first ever display of masks created by Tanel Veenre, a jewellery artist and versatile designer, over the course of the past decade. In the artist’s diverse work, theatrical and ritual face jewellery and coverings [&hellip;]

Tanel Veenre. Bluebeard - Eesti Tarbekunsti- ja Disainimuuseum

https://admin.etdm.ee/wp-content/uploads/2023/06/Tanel-Veenre-Sinihabe.jpg

Tanel Veenre. Bluebeard

But the temptation was so great that she could not overcome it. Bluebeard by Charles Perrault The exhibition “Bluebeard” presents the first ever display of masks created by Tanel Veenre, a jewellery artist and versatile designer, over the course of the past decade. In the artist’s diverse work, theatrical and ritual face jewellery and coverings […]

https://admin.etdm.ee/en/naitus/tanel-veenre-bluebeard/

Tallinn Jewellery Factory has an important role in the history of Estonian design. During the Soviet era, its austere and romantic style of tableware, cutlery and jewellery defined the look of local everyday life for decades. Tallinn Jewellery Factory was founded in 1959 and has had several names over its lifetime. During the longest period, [&hellip;]

Local Beauty: Tallinn Jewellery Factory - Eesti Tarbekunsti- ja Disainimuuseum

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Local Beauty: Tallinn Jewellery Factory

Tallinn Jewellery Factory has an important role in the history of Estonian design. During the Soviet era, its austere and romantic style of tableware, cutlery and jewellery defined the look of local everyday life for decades. Tallinn Jewellery Factory was founded in 1959 and has had several names over its lifetime. During the longest period, […]

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Naturally, It Is Not looks at nature not only as an environment external to the body, a place we can take our bodies to but also understands the body as a (natural) site. But rather than thinking of nature, and by extension human nature, as unchanging, something we could go back to, here, both the [&hellip;]

Naturally, It Is Not - Eesti Tarbekunsti- ja Disainimuuseum

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Naturally, It Is Not

Naturally, It Is Not looks at nature not only as an environment external to the body, a place we can take our bodies to but also understands the body as a (natural) site. But rather than thinking of nature, and by extension human nature, as unchanging, something we could go back to, here, both the […]

https://admin.etdm.ee/en/naitus/naturally-it-is-not/

From 14 April, the Estonian Museum of Applied Art and Design’s (ETDM) permanent exhibition Introduction to Estonian Design will be featuring the installation project Do You Have This at Home? by students of the Estonian Academy of Arts (EKA). The idea for the project stems from the moments of nostalgic recognition among exhibition visitors, who [&hellip;]

Installation “Do You Have This at Home?” - Eesti Tarbekunsti- ja Disainimuuseum

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